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In a nation whose debt has outgrown the size of its entire economy, the greatest threat comes not from any foreign force but from Washington politicians who refuse to relinquish the intoxicating power to borrow and spend. Senator Tom Coburn reveals the fascinating, maddening story of how we got to this point of fiscal crisis-and how we can escape.

Long before America's recent economic downturn, beltway politicians knew the U.S. was going bankrupt. Yet even after several so-called "change" elections, the government has continued its wasteful ways in the face of imminent danger. With passion and clarity, Coburn explains why Washington resists change so fiercely and offers controversial yet commonsense solutions to secure the nation's future.

! At a time when millions of Americans are speculating about what is broken in Washington, The Debt Bomb is a candid, thoughtful, non-partisan expose of the real problems inside our government. Coburn challenges the conventional wisdom that blames lobbyists, gridlock, and obstructionism, and places the responsibility squarely where it belongs: on members of Congress in both parties who won't let go of the perks of power to serve the true interests of the nation-unless enough citizens take bold steps to demand action.

"Democracy never lasts long. It soon wastes, exhausts, and murders itself. There was never a democracy yet that did not commit suicide." -John Adams

Throughout a distinguished career as a business owner, physician, and U.S. senator, Tom Coburn has watched his beloved republic careen down a suicidal path. Today, the nation stands on the precipice of financial ruin, a disaster far more dangerous to our safety than any terrorist threats ! we face. Yet Coburn believes there is still hope-if enough Ame! ricans a re willing to shake the corridors of Washington and demand action.

With an insider's keen eye and a caregiver's deft touch, Coburn diagnoses the mess that career politicians have made of things while misusing their sacred charge to govern.

Coburn's incisive analysis:

• Reveals the root causes of America's escalating financial crisis
• Exposes Washington's destructive appetite for wasteful spending, power grabs, backroom deals, and quick non-fixes
• Rises above partisanship to implicate elected officials of all stripes in steering the nation off course
• Lays out a commonsense guide to restoring order
• Concludes with a clarion call and sound advice for Americans who would dedicate themselves to defusing the debt bomb

Above all, Coburn believes the United States can continue as a beacon of opportunity for future generations-but how we act today will determine whether we deliver the nation to our childre! n and grandchildren fully alive, on life support, or without a pulse.

What people are saying about The Debt Bomb:

"The five loveliest words in the English language are those that begin the First Amendment: 'Congress shall make no law . . .' Notice the most underused word in contemporary Washington: 'No.' Fortunately, Tom Coburn uses it with gusto in attacking the crisis so well described in this book. He is a man with a plan, and the steely determination to implement it."

- George F. Will, nationally syndicated columnist

"Dr. Tom Coburn is the real deal. He's not a politician; he's a citizen in office. Day in and day out, he's been fighting to shrink the federal government, and has been attacked by his own party and the political opposition for doing so. Now he's written a book outlining in stark terms the problems the nation is facing. Dr. Coburn is a real American hero, and he's standing against! the tide in the United States Senate. If you want the truth, ! from the inside, you need to read this book."

- Mark Meckler, cofounder and National Chairman of the Tea Party Patriots

"The Debt Bomb is superb. It's a smart, gutsy, and captivating take on how Washington got us into this mess-it then gives the taxpayers some real answers and solutions as to how to get out of it! If you're sick and tired of Washington politicians making excuses and pandering mush, this book will be a sheer delight. Tom Coburn tells the truth, and tips over everyone's sacred cows."

- Al Simpson, former Senator

"Tom Coburn is a rare breed in a town filled with big spending Democrats and big government Republicans. As a fellow member of the Class of 1994, I've seen Tom stay true to the values of our cause while others sold out to Washington's highest bidders. With America's future hanging in the balance, Tom has written a book that warns of a coming debt bomb that threatens to destroy our economy and our future. If ! you want to know how Washington can avert the coming crisis, read this important book."

- Joe Scarborough, host of MSNBC's Morning Joe

"The Debt Bomb has the bold answers and insights the American people have been clamoring for. Dr. Coburn's willingness to go big exposes the appalling lack of leadership in the White House and Congress. The Debt Bomb should be required reading for any American who wants to force our elected leaders to step up and join Dr. Coburn in addressing this urgent threat."

- Larry Kudlow, Reagan administration economist and host of CNBC's The Kudlow Report

"No one in Congress has done more to shift the debate from growing government to cutting spending than Tom Coburn. When others were silent, he courageously stood up to big spenders in both parties, exposed the wasteful earmarks like the Bridge to Nowhere, and called for an end to corporate welfare that undermines our free market economy. In The! Debt Bomb, Tom outlines bold, decisive action to save our! nation from fiscal collapse. It's a privilege to fight alongside him to defend freedom."

- Senator Jim DeMint

"It's high time we had a ruthless and compassionate conversation about the American tax policy, Senator Coburn takes a big step in this book."

- Dylan Ratigan, host of MSNBC's The Dylan Ratigan Show

"Throughout his distinguished career, Senator Tom Coburn has been one of the most consistent advocates for fiscal sanity and responsibility in Washington. Based on unambiguous evidence and moral principle, The Debt Bomb not only articulates the dangerous consequences of our runaway spending, but also offers courageous, responsible, no-nonsense solutions for restoring America to prosperity. This is an important book at a critical time in our nation's history."

- Bill Bennett, former Secretary of Education under President Reagan and host of Morning in America

In a nation whose ! debt has outgrown the size of its entire economy, the greatest threat comes not from any foreign force but from Washington politicians who refuse to relinquish the intoxicating power to borrow and spend. Senator Tom Coburn reveals the fascinating, maddening story of how we got to this point of fiscal crisis-and how we can escape.

Long before America's recent economic downturn, beltway politicians knew the U.S. was going bankrupt. Yet even after several so-called "change" elections, the government has continued its wasteful ways in the face of imminent danger. With passion and clarity, Coburn explains why Washington resists change so fiercely and offers controversial yet commonsense solutions to secure the nation's future.

At a time when millions of Americans are speculating about what is broken in Washington, The Debt Bomb is a candid, thoughtful, non-partisan expose of the real problems inside our government. Coburn challenges the conventional wisdom th! at blames lobbyists, gridlock, and obstructionism, and places ! the resp onsibility squarely where it belongs: on members of Congress in both parties who won't let go of the perks of power to serve the true interests of the nation-unless enough citizens take bold steps to demand action.

"Democracy never lasts long. It soon wastes, exhausts, and murders itself. There was never a democracy yet that did not commit suicide." -John Adams

Throughout a distinguished career as a business owner, physician, and U.S. senator, Tom Coburn has watched his beloved republic careen down a suicidal path. Today, the nation stands on the precipice of financial ruin, a disaster far more dangerous to our safety than any terrorist threats we face. Yet Coburn believes there is still hope-if enough Americans are willing to shake the corridors of Washington and demand action.

With an insider's keen eye and a caregiver's deft touch, Coburn diagnoses the mess that career politicians have made of things while misusing their sacred charge to govern. !

Coburn's incisive analysis:

• Reveals the root causes of America's escalating financial crisis
• Exposes Washington's destructive appetite for wasteful spending, power grabs, backroom deals, and quick non-fixes
• Rises above partisanship to implicate elected officials of all stripes in steering the nation off course
• Lays out a commonsense guide to restoring order
• Concludes with a clarion call and sound advice for Americans who would dedicate themselves to defusing the debt bomb

Above all, Coburn believes the United States can continue as a beacon of opportunity for future generations-but how we act today will determine whether we deliver the nation to our children and grandchildren fully alive, on life support, or without a pulse.

What people are saying about The Debt Bomb:

"The five loveliest words in the English language are those that begin the First Am! endment: 'Congress shall make no law . . .' Notice the most un! derused word in contemporary Washington: 'No.' Fortunately, Tom Coburn uses it with gusto in attacking the crisis so well described in this book. He is a man with a plan, and the steely determination to implement it."

- George F. Will, nationally syndicated columnist

"Dr. Tom Coburn is the real deal. He's not a politician; he's a citizen in office. Day in and day out, he's been fighting to shrink the federal government, and has been attacked by his own party and the political opposition for doing so. Now he's written a book outlining in stark terms the problems the nation is facing. Dr. Coburn is a real American hero, and he's standing against the tide in the United States Senate. If you want the truth, from the inside, you need to read this book."

- Mark Meckler, cofounder and National Chairman of the Tea Party Patriots

"<...

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Amy Byer Girls 7-16 Sleeveless Empire Corkscrew Dress, Ivory, 7

• Pullover

Imperialism as we knew it may be no more, but Empire is alive and well. It is, as Michael Hardt and Antonio Negri demonstrate in this bold work, the new political order of globalization. It is easy to recognize the contemporary economic, cultural, and legal transformations taking place across the globe but difficult to understand them. Hardt and Negri contend that they should be seen in line with our historical understanding of Empire as a universal order that accepts no boundaries or limits. Their book shows how this emerging Empire is fundamentally different from the imperialism of European dominance and capitalist expansion in previous eras. Rather, today's Empire draws on elements of U.S. constitutionalism, with its tradition of hybrid identities and expanding frontiers.

Empire identifies a radical shift in concepts that form the philosophical basis of moder! n politics, concepts such as sovereignty, nation, and people. Hardt and Negri link this philosophical transformation to cultural and economic changes in postmodern society--to new forms of racism, new conceptions of identity and difference, new networks of communication and control, and new paths of migration. They also show how the power of transnational corporations and the increasing predominance of postindustrial forms of labor and production help to define the new imperial global order.

More than analysis, Empire is also an unabashedly utopian work of political philosophy, a new Communist Manifesto. Looking beyond the regimes of exploitation and control that characterize today's world order, it seeks an alternative political paradigm--the basis for a truly democratic global society.

(20010723)Empire is a sweeping book with a big-picture vision. Michael Hardt and Antonio Negri argue that while classical imperialism has largely disapp! eared, a new empire is emerging in a diffuse blend of technolo! gy, econ omics, and globalization. The book brings together unlikely bedfellows: Hardt, associate professor in Duke University's literature program, and Negri, among other things a writer and inmate at Rebibbia Prison in Rome. Empire aspires to the same scale of grand political philosophy as Locke or Marx or Fukuyama, but whether Hardt and Negri accomplish this daunting task is debatable. It is, however, an exciting book that is especially timely following the emergence of terrorism as a geopolitical force.

Hardt and Negri maintain that empire--traditionally understood as military or capitalist might--has embarked upon a new stage of historical development and is now better understood as a complex web of sociopolitical forces. They argue, with a neo-Marxist bent, that "the multitude" will transcend and defeat the new empire on its own terms. The authors address everything from the works of Deleuze to Jefferson's constitutional democracy to the Chiapas revolution in a far! -ranging analysis of our contemporary situation. Unfortunately, their penchant for references and academese sometimes renders the prose unwieldy. But if Hardt and Negri's vision of the world materializes, they will undoubtedly be remembered as prophetic. --Eric de Place

In the tradition of Bury My Heart at Wounded Knee, a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all.

S. C. Gwynne’s Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches.

Althou! gh readers may be more familiar with the tribal names Apache a! nd Sioux , it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun.

The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping n! arrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroadsâ€"a historical feast for anyone interested in how the United States came into being.

Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend.

S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.

In the tradition of Bury My Heart at Wounded Kn! ee, a stunningly vivid historical account of the forty-yea! r battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all.

S. C. Gwynne’s Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches.

Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that the! y stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun.

The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroadsâ€"a historical feast for anyone interested in how the United States came into being.

Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with! cornflower-blue eyes who was kidnapped by Comanches from the ! far Texa s frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend.

S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.John Leguizamo, Peter Sarsgaard, Denise Richards. An ambitious Bronx drug dealer tries to hook up with a Wall Street banker on a complicated investment scheme that becomes more dangerous than his day-to-day life on the streets. 2002/color/90 min/R.John Leguizamo is, in his own words, "young, Latin, and good looking" as the ambitious minimogul of the South Bronx drug trade in Franc Reyes' Latino twist on the urban crime saga. Reigning in his hyperactive ene! rgy, Leguizamo is like a coiled spring as the street-smart player who tries to leave the violence of his trade behind in an upwardly mobile odyssey, and Peter Sarsgaard brings a discomforting confidence to the smooth-talking investment banker trusted with his millions. Few of the other characters even register in the familiar underworld tale (though Denise Richards has fun as a bubbly, skin-deep seductress) and Reyes's flashy style is as distracting as it is energizing. It's the smoldering presence of Leguizamo that keeps the film centered through the betrayals, the bullet-riddled battles, and the slow realization that this cunning shark has just become bait in the deep seas of high finance. --Sean Axmaker

The American Empire has grown too fast, and the fault lines at home are stressed to the breaking point. The war of words between Right and Left has collapsed into a shooting war, though most people just want to be left alone.

The battle r! ages between the high-technology weapons on one side, and mili! tia foot -soldiers on the other, devastating the cities, and overrunning the countryside. But the vast majority, who only want the killing to stop, and the nation to return to more peaceful days, have technology, weapons and strategic geniuses of their own.

When the American dream shatters into violence, who can hold the people and the government together? And which side will you be on?

Orson Scott Card is a master storyteller, who has earned millions of fans and reams of praise for his previous science fiction and fantasy novels. Now he steps a little closer to the present day with this chilling look at a near future scenario of a new American Civil War.

The American Empire has grown too fast, and the fault lines at home are stressed to the breaking point. The war of words between Right and Left has collapsed into a shooting war, though most people just want to be left alone.

The battle rages between the high-technology weapons on one! side, and militia foot-soldiers on the other, devastating the cities, and overrunning the countryside. But the vast majority, who only want the killing to stop and the nation to return to more peaceful days, have technology, weapons and strategic geniuses of their own.

When the American dream shatters into violence, who can hold the people and the government together? And which side will you be on?

Orson Scott Card is a master storyteller, who has earned millions of fans and reams of praise for his previous science fiction and fantasy novels. Now he steps a little closer to the present day with this chilling look at a near future scenario of a new American Civil War.

In the tradition of Bury My Heart at Wounded Knee, a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all.

S. C. Gwynne’s Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches.

Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised! to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun.

The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroadsâ€"a historical feast for anyone interested in how the United States came into being.

Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return un! til her tragic capture by Texas Rangers in 1860. More famous s! till was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend.

S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.

Sleeveless empire corkscrew dress

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Clean, Well-Lighted Sentences: A Guide to Avoiding the Most Common Errors in Grammar and Punctuation

• ISBN13: 9780393337150
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Clean is an M.D.'s program designed to be easily incorporated into our busy schedule while providing all the practical tools necessary to support and rejuvenate our bodies. The effect is transformative: nagging health problems will suddenly disappear, extra weight will drop away, and for the first time in our lives we will experience what it truly means to feel healthy.

A Life-Changing Medical Breakthrough

Clean is an M.D.'s program designed to be easily incorporated into our busy schedule while providing all the practical tools necessary to support and rejuvenate our bodies. The effect is transformative: nagging health problems will suddenly disappear, extra weight will drop away, and ! for the first time in our lives, we will experience what it truly means to feel healthy.

Expanded Edition Includes:
New Introduction • New Recipes • How to Become Clean for Life

From the author of Beautiful, a poignant, captivating novel about five teens in rehab.

Olivia, Kelly, Christopher, Jason, and Eva have one thing in common: They’re addicts. Addicts who have hit rock bottom and been stuck together in rehab to face their problems, face sobriety, and face themselves. None of them wants to be there. None of them wants to confront the truths about their pasts. And they certainly don’t want to share their darkest secrets and most desperate fears with a room of strangers. But they’ll all have to deal with themselvesâ€"and one anotherâ€"if they want to learn how to live. Because when you get that high, there’s nowhere to go but down, down, down.

Cuántos de nosotros podríamos decir sinceramente que no padecemos de al menos un! o de los siguientes problemas:
 
●      Gripes! o virus cada año
●      Alergias o fiebre del heno
●      Sobrepeso persistente
●      Noches sin descanso
●      Indigestión recurrente, estreñimiento o síndrome del intestino irritable
●      Picores en la piel, acné u otros problemas del cutis
●      Depresión, ansiedad o fatiga frecuente
 
Con su programa Clean, Alejandro Junger, M.D., cardiólogo y líder en el campo de la medicina integral, ofrece un revolucionario avance médico. El explica que la mayoría de estas dolencias tan comunes son consecuencia directa de la concentración de toxinas en nuestros cuerpos, acumuladas durante el curso de la vida diaria. Desarrollado por Dr. Junger, Clean es un programa dietético y mental que nos proporciona las herramientas necesarias para apoyar y reactivar a plena capacidad nuestros sistemas de detoxificación. Además, se incorpora fácilmente a un horario ocupado. El resultado es transfo! rmador: persistentes problemas de salud desaparecen, el sobrepeso se esfuma, y por primera vez en nuestras vidas, experimentamos lo que significa vivir de forma saludable.

A renowned naturopathic doctor shows you how to get lean and be green while helping to save the planet.

Now you can lose weight and be good to the environment, tooâ€"without starvation diets, calorie counting, complicated meal plans, or even having to exercise. Dr. Walter Crinnion, a naturopathic doctor and environmental medicine physician, shows you how to clean up your diet and clear out your body and home to eliminate unwanted pounds and toxins from your life. You'll be able to get rid of nagging health problems such as allergies and fatigue and enjoy greater energy and a greener planet. Clean, Green, and Lean:

• Shares an effective program to shed pounds and stay healthy by getting rid of toxins in your body and your life in just four weeks
• Combines losing weight with be! ing good to the environment
• Can help reduce aches and pains! , depres sion, and other health problems
• Is written by one of the country's foremost authorities on environmental medicine who has appeared on The View and other programs

If you're serious about losing weight and safeguarding your health, follow the expert advice of Dr. Crinnion and start getting clean, green, and lean today.Journey with Sarah Mae for 31 Days as you get your home and your heart in order. Give Sarah Mae 31 days and she'll give you not only a cleaner home, but a vision for one.

31 Days to Clean is about the "why" and the vision and the heart for taking care of your domain. Each day you will be encouraged with some thoughts and ideas on the heart of cleaning, and then you will put those ideas to action.

After each days reading, you will be given two challenges:

The Mary Challenge -Something you do that encourages/engages your heart
The Martha Challenge - Specific cleaning tasks

31 Days to Clean is a faith! journey towards ruling, subduing, and loving. It is about forgoing perfection and instead choosing life.

"What do you think of when you consider doing laundry, washing dishes, and cleaning the dreaded bathroom? Are you discouraged? Do you feel overwhelmed? I have to say I feel that way ... often. In all my live-long days I haven't seen my home as a ministry. Can I serve Jesus and others as I clean my home? Sarah Mae proves I can. As a wife, mom, mother-in-law and mentor to teenage moms I'm going to cherish this book and share what I learned. Cleaning is more than just fighting germs. It can be a ministry of the heart!"
-Tricia Goyer, author of 25 books, include Blue Like Play Dough: The Shaping of Motherhood in the Grip of God
Journey with Sarah Mae for 31 Days as you get your home and your heart in order. Give Sarah Mae 31 days and she'll give you not only a cleaner home, but a vision for one.

31 Days to Clean is about the "why" and the! vision and the heart for taking care of your domain. Each day! you wil l be encouraged with some thoughts and ideas on the heart of cleaning, and then you will put those ideas to action.

After each days reading, you will be given two challenges:

The Mary Challenge -Something you do that encourages/engages your heart
The Martha Challenge - Specific cleaning tasks

31 Days to Clean is a faith journey towards ruling, subduing, and loving. It is about forgoing perfection and instead choosing life.

"What do you think of when you consider doing laundry, washing dishes, and cleaning the dreaded bathroom? Are you discouraged? Do you feel overwhelmed? I have to say I feel that way ... often. In all my live-long days I haven't seen my home as a ministry. Can I serve Jesus and others as I clean my home? Sarah Mae proves I can. As a wife, mom, mother-in-law and mentor to teenage moms I'm going to cherish this book and share what I learned. Cleaning is more than just fighting germs. It can be a ministry of the heart!"
-Tr! icia Goyer, author of 25 books, include Blue Like Play Dough: The Shaping of Motherhood in the Grip of God

It’s easier than you think to clean your home in a nontoxic, environmentally responsible way! Conceptualized and designed by legendary publishing visionary Joost Elffers—the force behind such bestsellers as Play With Your Food and The 48 Laws of Power—this wonderful guide will help get your house shipshape without hurting the environment or your health. Inspirational cleaning guru Michael de Jong writes with humor and a Zen-like spirit as he presents five safe, all-natural products that take care of just about anything: Baking Soda, Borax, Lemon, Salt, and White Vinegar. Each one gets a chapter featuring dozens of clever tips, while a handy alphabetized directory, organized by category, makes it easy to locate the information you need. With its graphically stunning and easy-to-use design, Clean helps you find your spic-and-span cen! ter.

An extraordinary handbook: with clarity a! nd humor , it tells the story that even good writers have been longing to hear.

This is not a comprehensive tracking of every nut and bolt that ever came loose within an English sentence; it is a focused discussion of the narrow range of problems that American writers typically face. From confusion over grammar to tangles with usage, to questions about punctuation, Janis Bell addresses them with transparency and grace. She discusses the issues, gives plenty of examples, provides quizzes and answers, and makes sure that readers are engaged throughout.

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War in Heaven: God's Epic Battle with Evil

• ISBN13: 9780800793173
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Marcos (Marcos Hernandez) is the middle-aged chauffeur of Ana (Anapola Mushkadiz), daughter of a Mexican general who amuses herself by working as a prostitute in a high-end brothel. Marcos and his wife (Berta Ruiz) have kidnapped a baby for ransom but it went tragically wrong when the infant died. When he confesses his guilt to Ana, a bond of secrecy consecrated by the flesh unites them. As the police draw closer, she urges him to turn himself in but instead he seeks redemption from a higher power.Battle In Heaven, Carlos Reygadas’ follow-up to Japón, opens with a controversial oral sex scene involving beauty, Ana (Anapola Mushkadiz),! and the beast, Marcos (Marcos Hernández). Marcos is Ana’s chauffeur, who has kidnapped and accidentally killed a baby. Ana, a general’s daughter by day and a prostitute by night, confides in Marcos and performs sexual favors for him in order to persuade him to turn himself in. She is too young, however, to understand Marcos’s confused mental state, and her sensitive position with him puts her in peril. Set in Mexico City, this tragic drama is as much about failed intimacy as it is about Mexican class structure, as Ana and Marcos attempt to bridge the class gap. A few explicit sex scenes show Marcos in bed with Ana or his wife (Bertha Ruiz), thus garnering it reviews that compare it to The Brown Bunny. In fact, the slow pacing and artsy, self-consciously composed shots do remind one of The Brown Bunny, in that both films are initially interesting but grow dull as their plots take forever to unfold. An intriguing plot is buried under seemingly eternal pa! noramic shots of the city, painfully slow conversation between! charact ers, and constant close-ups of Marcos’ face that are meant to capture his angst but only deter narrative. Nevertheless, this film’s merit is based in its experimental energy, and any director who follows up a graphic sex scene with a cut to the waving of the country’s flag (in this case Mexico’s) has my respect. --Trinie DaltonMARCOS, EL CHOFER DE UNA FAMILIA DE DINERO, PIERDE EL CONTROL TRAS EL RESULTADO TRÁGICO DEL SECUESTRO DE UN BEBÉ PERPETRADO CON SU MUJER. BUSCANDO LIBERARSE, CONFIESA EL CRIMEN A LA HIJA DE SU PATRÃ"N, UNA NIÃ'A FRÍVOLA QUE SE PROSTITUYE POR DIVERSIÃ"N. PERO LA SITUACIÃ"N NO MEJORA Y MARCOS CONTINUA CAYENDO POR UNA ESPIRAL SIN FIN...Why is our world a scene of conflict? Is this conflict restricted to earth? What happens in the three "levels" of heaven? Does Satan really roam freely throughout the universe? Do Christians have any role in the conflict in the spiritual realm?

Prolific author and Bible teacher Derek Prince addres! ses these questions and more in this carefully researched and superbly written book. Although focusing almost exclusively on the pre-Adamic era, Prince also explains that the Bible is primarily a record of Adam's race rather than a history of the world. He discusses the creation of man, as well as angels, particularly addressing the fall of Lucifer and the angels who joined him in his rebellion against God. Prince concludes that pride, which fueled rebellion, is the root of all sin, and he explains God's eternal plan of salvation.

Written with clarity and simplicity, this fascinating book offers readers biblical answers to fundamental questions and reassurance for the future.

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Chocolate

• Prachya Pinkaew, director of Ong Bak: The Thai Warrior, returns with Chocolate, an explosive new martial arts masterpiece starring his new prot g , Jija Yanin Vismistananda, who spent five years training for the role. Jija plays Zen, a young autistic girl who grows up next to a Muay Thai boxing studio and is raised on a steady diet of chocolate and marathon viewings of Tony Jaa and Bruce Lee films

Studio: Urban Vision Release Date: 11/28/2006AZUMI 2 - DVD MovieCHOCOLATE - DVD Movie

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Stanley TR250 SharpShooter Plus Heavy Duty Staple/Brad Nail Gun

• Easy-squeeze product works overtime as a staple gun, brad nailer, cable tacker and wire tacker
• All-metal drive channel ensures better penetration
• Less force to squeeze and more driving power
• Heavy duty aircraft-aluminum housing for long-lasting durability. Hi/Lo power lever for hard and soft materials. Flush-nose design solves the problem of stapling in tight spots
• Limited Lifetime Warranty

Biography on the British blues-rock band FREE

For the first time, a beautifully crafted book has painted a landscape of the tumultuous rise and fall of the premier blues-rock band Free. Written by David Clayton and Todd K. Smith, the narrative guides the reader through the foundation and early influences that inspired four young musicians to combine forces and plunge headlong into the late sixties revolving music scene.

Entitled Heavy Load, this 300-page epic cat! alogues the long months of a struggling band playing smoke filled pubs eventually winning an overwhelming fan adoration. It marks the heady days of having a hit single and album, which eventually lead to the inevitable first split in 1971.

The short-lived splinter bands, KKTR, Peace and Toby, are explored and the reasons for Frees reformation in 1972 explained. This volume runs right to the very end of their career in 1973 and into the early exploits of Bad Company, Sharks and Back Street Crawler leading inevitably to the tragic death of Paul Kossoff in 1976, the true end of Free.

Their legacy lives on through musicians as diverse as Lynyrd Skynyrd, The Black Crowes, Ocean Colour Scene, Paul Weller and Gov't Mule, all who have sighted them as a major influence. Their mentor, Alexis Korner, called them "The last major band to come out of the sixties", and famed producer, Al Kooper hails them as "The greatest band that ever lived".This is a more than historical me! tal album. By the item it was released (1978) some bands didn'! t even e xist (IRON MAIDEN) and other ones (SABBATH, PRIEST) were playing hard rock. HEAVY LOAD deliver uncompromising heavy as hell metal with amazing tunes that will lead you to the great Valhalla. Comes with booklet with lyrics of all songs. If you don't own the vinyl, this disc is a pure necessity.Heavy Duty Stapler/Nail Gun, Accepts Staples & Brad Nails, Accepts T50 Staples, Cushion Soft Grip, Easy To Squeeze Handle, Cast Aluminum Housing, Hi-Low Switch For Staple Depth Dependent On Application, Built In Cable Guide, Self Contained Staple Pusher.

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Enter the Void [Blu-ray]

• ENTER THE VOIDBLU-RAY (BLU-RAY DISC)

Controversial and brilliant director Gasper Noe follows his worldwide sensation Irreversible with another triumph. Enter The Void is Noe s most assured and haunting film yet, a head trip a la Stanley Kubrick s 2001: A Space Odyssey and at the same time a piercing modern drama. Newcomer Nathaniel Brown and Paz de la Huerta (HBO s Boardwalk Empire) star as a brother and sister trapped in the hellish nighttime world of Tokyo where he deals drugs and she works as a stripper.
 
A crime gone bad leads to shocking violence and then moments of transcendence in which the movie plunges viewers into death and rebirth like no film has ever done before via mesmerizing camerawork (The New York Times) that make it a dazzling and brutal exercise in cinematic envelope-pushing (New York Post). Stunning audiences around the world, Enter The Void is a cinematic expe! rience like no other.

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Beautiful

• legendry Design
• Dimension:36""W x 28""H
• Lamp:10-60W Med Base
• Authorized distributor by corbettlighting
• Huge Inventory and Selection

When Cassie moves from the tiny town where she has always lived to a suburb of Seattle, she is determined to leave her boring, good-girl existence behind. This is Cassie's chance to stop being invisible and start being the kind of girl who's worth noticing.

Stepping into her new identity turns out to be easier than Cassie could have ever imagined...one moment, one choice, changes everything.

Cassie's new existence both thrills and terrifies her. Swept into a world of illicit parties and social land mines, she sheds her virginity, embraces the numbness she feels from the drugs, and floats through it all, knowing that she is now called beautiful. She ignores the dangers of her fast-paced life...but she can't sidestep the! secrets and the cruelty.

Cassie is trapped in a swift downward spiral tinged with violence and abuse, and no one--not even the one person she thought she could trust--can help her now.

"Beautiful is stark, disquieting, and, quite simply, riveting."  --Ellen Hopkins, bestselling author of Crank'I heard a horrible screaming sound, like an animal being slaughtered ... then I realised it was me.'When Katie Piper was 24, her life was near perfect. Young and beautiful, she was well on her way to fulfilling her dream of becoming a model.But then she met Daniel Lynch on Facebook and her world quickly turned into a nightmare ...After being held captive and brutally raped by her new boyfriend, Katie was subjected to a vicious acid attack. Within seconds, this bright and bubbly girl could feel her looks and the life she loved melting away.Since then Katie has gone on to inspire millions with her brave determination, but the journey hasn't been easy.! Beautiful is the moving true story of how one young woman ! had her mind, body and spirit cruelly snatched from her and how she inspired millions with her fight to get them back.'I heard a horrible screaming sound, like an animal being slaughtered ... then I realised it was me.'When Katie Piper was 24, her life was near perfect. Young and beautiful, she was well on her way to fulfilling her dream of becoming a model.But then she met Daniel Lynch on Facebook and her world quickly turned into a nightmare ...After being held captive and brutally raped by her new boyfriend, Katie was subjected to a vicious acid attack. Within seconds, this bright and bubbly girl could feel her looks and the life she loved melting away.Since then Katie has gone on to inspire millions with her brave determination, but the journey hasn't been easy.Beautiful is the moving true story of how one young woman had her mind, body and spirit cruelly snatched from her and how she inspired millions with her fight to get them back.

A harrowing but ul! timately inspiring memoir of how one girl's beautiful face and spirit was destroyed after a vicious acid attack

 

I heard a horrible screaming sound, like an animal being slaughtered . . . then I realised it was me.

 

When Katie Piper was 24, her life was near perfect. Young and beautiful, she was well on her way to fulfilling her dream of becoming a model. But then she met Daniel Lynch on Facebook and her world quickly turned into a nightmare. After being held captive and brutally raped by her new boyfriend, Katie was subjected to a vicious acid attack. Within seconds, this bright and bubbly girl could feel her looks and the life she loved melting away. This is the moving true story of how one young woman had her mind, body, and spirit cruelly snatched from her and how she inspired millions with her fight to get them back.

Mona is determined to win the Miss American Miss contest, even if it means cheat! ing or concealing the fact that she has a daughter.
Genr! e: F eature Film-Comedy
Rating: PG13
Release Date: 2-SEP-2003
Media Type: DVD

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Trilogy of Terror (Special Edition)

• Legendary producer/director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays four

Sally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goe! s straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curl! icues, however nifty, ultimately end up diluting the solid-sta! te night mare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt redo is unlikely to have the same lasting effect on audiences as the much cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew WrightSally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goes straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger! into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curlicues, however nifty, ultimately end up diluting the solid-state nightmare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt ! redo is unlikely to have the same lasting effect on audiences ! as the m uch cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew WrightStudio: Warner Bros. Digital Dist Release Date: 08/30/2011An old house...a mysterious locked room... a terrifying secret. Elements that make a horror movie memorably chilling get a taut, spooky reworking in Don't Be Afraid of the Dark. Kim Darby (True Grit) and Jim Hutton (The Green Berets) star as Sally and Alex, young marrieds who inherit a crumbling mansion. Despite warnings to leave well enough alone in her new home, Sally unlocks the mysterious room, opens a bricked-up fireplace - and unleashes a horde of hideous, whispering, murdering mini-demons only she can see and hear. Alex thinks she's imagining things. We know she isn't. And we know Sally should be very, very afraid of the dark!

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Legendary producer / dire! ctor Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN’S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays no less than four distinct roles. In "Julie," an aggressive college student seduces and ultimately blackmails his seemingly shy English professor. In "Millicent and Therese," two polar-opposite sisters become increasingly hell-bent on the undoing of one another. And in "Amelia," a woman falls prey to a murderous Zuni fetish doll.

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El Cantante

• In their dazzling first on-screen pairing, Jennifer Lopez and Marc Anthony bring to life this riveting tale of romance and redemption based on the true story of salsa legend Hector Lavoe and the woman who kept him from falling over the edge.It's the 1970s and the salsa revolution is in full swing. Hector Lavoe (Anthony), is the singer, El Cantante whose voice can move millions and whose passion mo

EL CANTANTE - DVD MovieThough they don't look much alike, slight actor-singer Marc Anthony was born to play robust salsa sensation Héctor Lavoe. In addition to similar ancestry and vocal skills, Anthony has been building a respectable cinematic resume with roles in Big Night and Martin Scorsese's Bringing out the Dead. The title of El Cantante comes from a number Rubén Blades wrote for The Singer. Lavoe would make it his signature song. In the film, Anthony's wife, prod! ucer Jennifer Lopez, plays Puchi, the Nuyorican beauty who won Lavoe's heart. She narrates their story from the perspective of 2002 (the real-life Puchi passed away shortly afterwards). Leon Ichaso (Piñero) contrasts Lavoe's rise from Puerto Rican street singer to New York superstar with his fall from innocent immigrant to heroin-addicted ladies man. By the mid-1980s, Lavoe's popularity hit its peak, and Ichaso spends the rest of the time ticking off the tragedies of his final years: the break with trombonist Willie Colón (John Ortiz), stay in a mental ward, etc. It's a dynamic portrait, and Anthony and Lopez work well together, but despite the urban setting and Latin-flavored soundtrack, El Cantante follows virtually the same trajectory as Ray and Walk the Line (Ichaso has also directed biopics of Jimi Hendrix and Muhammad Ali). His movie looks and sounds authentic, but Lavoe's story might've been better served as nonfiction. There's a sense t! hat there was more to the man than what appears on screen. ! --Kathle en C. Fennessy

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Bambi (Two-Disc Diamond Edition Blu-ray/DVD Combo in Blu-ray Packaging)

• BAMBI:DIAMOND EDITION BLU-RAY IN BD (BLU-RAY DISC)

For the first time ever, the wonder, music and majesty of one of Walt Disney's greatest triumphs comes alive in glorious detail through the magic of Blu-ray high definition! Now Bambi, Walt Disney's beloved coming-of-age story, will thrill a new generation of fans with its breathtakingly beautiful animation, soaring music and characters who will touch your heart-Bambi, the wide-eyed fawn, his playful pal Thumper, the loveable skunk Flower and wise Friend Owl. Plus, all-new immersive game and special features that reveal the extraordinary creative process behind the making of this timeless classic take you deeper into Bambi's world than ever before.

Walt Disney's Bambi is an experience you will never forget-now more brilliant than ever on Blu-ray.

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American Graffiti [VHS]

• Condition: Used - Good

AMERICAN GRAFFITI COLLECTOR'S EDITION - DVD MovieHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio ! show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. --Jeff ShannonHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work ! of historical fiction; no sociological treatise could duplicat! e the mo vie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't s! eem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes. --Jeff Shannon From director George Lucas (Star Wars) and producer Francis Ford Coppola (The Godfather), American Graffiti is a classic coming-of-age story set against the 1960s backdrop of hot rods, drive-ins and rock n’ roll. Starring Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips and Suzanne Somers in their breakout roles, this nostalgic look back follows a group ! of teenagers as they cruise the streets on their last summer n! ight bef ore college. Nominated for five Academy Awards, including Best Picture and Best Director, American Graffiti features the howling sounds of Wolfman Jack and an unforgettable soundtrack with songs by Buddy Holly, Chuck Berry, The Beach Boys and Bill Haley & His Comets.Here's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success! paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. --Jeff ShannonHere's how critic Roger Ebert described the unique and lasting value of Geo! rge Lucas's 1973 box-office hit, American Graffiti: "[I! t's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinema! tography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes. --Jeff Shannon AMERICAN GRAFFITI DRIVE-IN DOUBLE FEA - DVD MovieNo Description Available.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 22-AUG-2006
Media Type: DVDSix years after American Graffiti, George Lucas answered the call for an upda! te on his classic characters with this ambitious sequel. You d! efinitel y need to know the original to have an emotional investment in More American Graffiti, as the action is spread over four different New Year's Eves in the sixties. Milner is drag racing, the Toad is dodging bullets in Vietnam, Debbie is a San Francisco hippie, and Steve and Laurie weather a domestic crisis. The cast is back, save for the AWOL Richard Dreyfuss; even Harrison Ford pops up for an amusing cameo. The busy rock soundtrack is there too, but the old magic is dissipated in labored comedy and obvious social comment. The most interesting thing about the film is director Bill Norton's decision to shoot the segments in different styles, a bold move that pays off in the gritty, TV-news look of the Vietnam sequences. --Robert HortonFrom director George Lucas (Star Wars) and producer Francis Ford Coppola (The Godfather), American Graffiti is a classic coming-of-age story set against the 1960s backdrop of hot rods, drive-ins and rock n' roll. Starring Ron Howard! , Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips and Suzanne Somers in their breakout roles, this nostalgic look back follows a group of teenagers as they cruise the streets on their last summer night before college. Nominated for five Academy Awards, including Best Picture and Best Director, American Graffiti features the howling sounds of Wolfman Jack and an unforgettable soundtrack with songs by Buddy Holly, Chuck Berry, The Beach Boys and Bill Haley & His Comets. Starring: Ron Howard, Cindy Williams, Richard Dreyfuss, Harrison Ford, Wolfman Jack, Candy Clark, Mackenzie Phillips, Paul Le Mat, Charles Martin Smith, Suzanne Somers Directed by: George LucasHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it w! as to be alive at that cultural instant." The time to which Eb! ert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ro! n Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. --Jeff ShannonHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomena! l success paved the way for Star Wars.) The action is p! ropelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production,! a photo gallery, and extensive production notes. --Jeff Shannon Studio: Uni Dist Corp. (mca) Release Date: 05/31/2011 Starring: Harrison Ford Ron Howard Mackenzie Phillips Run time: 113 minutes Rating: Pg Director: George LucasHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star! Wars.) The action is propelled by the music of Wolfman Ja! ck's roc k & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. --Jeff ShannonHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a b! rilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The on! ce-in-a-lifetime ensemble cast members inhabit their roles so ! fully th at they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes. --Jeff Shannon For those of us who grew up in the '70s, this drive-in compilation of '50s and '60s rock and doo-wop, complete with Wolfman Jack introductions, was our introduction to this music. There are 41 jukebox hits here, and every one of them is a classic of its time (although two tracks--"At the Hop" and "She's so Fine" are covers by the revival band Flash Cadillac & the Con! tinental Kids). In his 1973 movie, director George Lucas used the music (and the presence of mysterious deejay Wolfman) as the AM-radio soundtrack to one night in suburban California, 1962. The idea was to capture and sustain an end-of-summer, end-of-innocence mood that's in the air throughout the picture-- not as a shortcut to establishing a period (as in Robert Zemeckis'Forrest Gump). There's an awful lot of spontaneous energy in these tunes--from Chuck Berry and Buddy Holly, to the Platters and the Clovers and the Del-Vikings, to the Crests and the Beach Boys--and also just a hint of melancholy that goes down very nicely with a burger, shake, and fries. --Jim EmersonHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exa! ctly how it was to be alive at that cultural instant." The tim! e to whi ch Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers-! -including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. --Jeff ShannonHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the fil! m's phenomenal success paved the way for Star Wars.) Th! e action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film'! s production, a photo gallery, and extensive production notes. --Jeff Shannon

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Bourne Ultimatum 27 X 40 Original Theatrical Movie Poster

• Original 2007 Theatrical Movie Poster
• 27 X 40 Double Sided
• Perfect Condition

#1 NEW YORK TIMES BESTSELLER
 
At a small-town carnival, two men, each mysteriously summoned by telegram, witness a bizarre killing. The telegrams are signed “Jason Bourne.” Only they know Bourne’s true identity and understand that the telegrams are really a message from Bourne’s mortal enemy, Carlos, known also as the Jackal, the world’s deadliest and most elusive terrorist. And furthermore, they know what the Jackal wants: a final confrontation with Bourne. Now David Webb, professor of Oriental studies, husband, and father, must do what he hoped never to do againâ€"assume the terrible identity of Jason Bourne. His plan is simple: to infiltrate the politically and economically omnipotent Medusan group and use himself as bait to lure the cunning Jackal into a deadl! y trapâ€"a trap from which only one of them will escape.

Get ready for non-stop action, edge-of-your-seat suspense and spectacular chase sequences with everyone’s favorite assassin in The Bourne Trilogy! Matt Damon is Jason Bourne, an elite government agent determined to outwit and outmaneuver anyone who stands in the way of his finding out the secrets of his mysterious past. Follow his explosive, action-packed adventures in three blockbuster films from one of the most popular series of all time: The Bourne Identity, The Bourne Supremacy and The Bourne Ultimatum. Loaded with hours of bonus features, The Bourne Trilogy is the complete Bourne experience for movie fans everywhere!The Bourne Identity
Freely adapted from Robert Ludlum's 1980 bestseller, The Bourne Identity starts fast and never slows down. The twisting plot revs up in Zurich, where amnesiac CIA assassin Jason Bourne (Matt Damon), with no memory of his name, p! rofession, or recent activities, recruits a penniless German t! raveler (Run Lola Run's Franka Potente) to assist in solving the puzzle of his missing identity. While his CIA superior (Chris Cooper) dispatches assassins to kill Bourne and thus cover up his failed mission, Bourne exercises his lethal training to leave a trail of bodies from Switzerland to Paris. Director Doug Liman (Go) infuses Ludlum's intricate plotting with a maverick's eye for character detail, matching breathtaking action with the humorous, thrill-seeking chemistry of Damon and Potente. Previously made as a 1988 TV movie starring Richard Chamberlain, The Bourne Identity benefits from the sharp talent of rising stars, offering intelligent, crowd-pleasing excitement from start to finish. --Jeff Shannon

The Bourne Supremacy
Good enough to suggest long-term franchise potential, The Bourne Supremacy is a thriller fans will appreciate for its well-crafted suspense, and for its triumph of competence over! logic (or lack thereof). Picking up where The Bourne Identity left off, the action begins when CIA assassin and partial amnesiac Jason Bourne (a role reprised with efficient intensity by Matt Damon) is framed for a murder in Berlin, setting off a chain reaction of pursuits involving CIA handlers (led by Joan Allen and the duplicitous Brian Cox, with Julia Stiles returning from the previous film) and a shadowy Russian oil magnate. The fast-paced action hurtles from India to Berlin, Moscow, and Italy, and as he did with the critically acclaimed Bloody Sunday, director Paul Greengrass puts you right in the thick of it with split-second editing (too much of it, actually) and a knack for well-sustained tension. It doesn't all make sense, and bears little resemblance to Robert Ludlum's novel, but with Damon proving to be an appealingly unconventional action hero, there's plenty to look forward to. --Jeff Shannon

The Bourne Ultim! atum
The often breathtaking, final install! ment in the Bourne trilogy finds the titular assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingly unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy. Now looking for payback, Bourne goes in search for the renegade chief of CIA operations in Europe and North Africa, partnering for a time with a mysterious woman from his past (Julia Stiles) and constantly--constantly--on the run from assassins, intelligence foot soldiers, and cops. Directed by Paul Greengrass (United 93) with the director’s thrilling, trademark textures and shaky, documentary style, The Bourne Ultimatum is largely a succession of action scenes that reveal a lot about the story’s ! characters while they’re under duress. Joan Allen, Albert Finney, David Strathairn, Scott Glenn, and Paddy Considine comprise the film’s terrific supporting cast, and the well-traveled movie leads viewers through Turin, Madrid, Tangiers, Paris, London, and New York. Overall, this is a satisfying conclusion to Bourne’s exciting and protracted mystery. --Tom Keogh

Audio CDIm dritten Teil der Bourne-Saga führt Robert Ludlum den Leser zum furiosen Höhepunkt: David Webb alias Jason Bourne wird ein letztes Mal zum Spielball der Geheimdienste auf der Jagd nach seinem Erzfeind Carlos, dem Schakal.

Im dritten Teil der Bourne-Saga führt Robert Ludlum den Leser zum furiosen Höhepunkt: David Webb alias Jason Bourne wird ein letztes Mal zum Spielball der Geheimdienste auf der Jagd nach seinem Erzfeind Carlos, dem Schakal.

All of our posters are originals and have been stored in a t! emperature controlled environment. Most have either been roll! ed or ke pt in display sleeves. Every poster is in perfect condition unless otherwise specified.

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Desktop Warfare Kits (Catapult)

• Every Piece Needed to Build a Complete Working Catapult
• Pre-cut, pre-drilled solid wood pieces
• Medieval siege engines

Written with the sports fan in mind, Game Plan for Life is an “average Joe’s” guide to what the Bible has to say about such topics as relationships; finances; physical, emotional, and spiritual health; finding the right vocation; living a life of purpose; and overcoming sin and addiction. Written by 3-time Super Bowl and NASCAR championship winning coach/owner Joe Gibbs, edited by Jerry Jenkins, and featuring contributions from Randy Alcorn, Ravi Zacharias, John Lennox, Tony Evans, Chuck Colson, Josh McDowell, Don Meredith, Walt Larimore, Ron Blue, Ken Boa, and Os Guinness, the New York Times best-selling Game Plan for Life shows readers how to live a balanced, God-centered, purpose-filled life, using examples from Coach Gibbs’ own ! storied championship careers as a backdrop. This book is a perfect blend of sports and basic theology, designed to bring God’s Word home to sports fans of all generations.Three-time Super Bowl and NASCAR champion Joe Gibbs’s Game Plan for Life is an “average Joe’s” guide to what the Bible has to say about the 11 most-important topics for men. Topics such as: finances, relationships, living a life of purpose, finding the right vocation, physical, emotional, and spiritual health, and overcoming sin and addictions. Edited by Jerry Jenkins, and featuring contributions from Randy Alcorn, Ravi Zacharias, John Lennox, Tony Evans, Chuck Colson, Josh McDowell, Don Meredith, Walt Larimore, Ron Blue, Ken Boa, and Os Guinness, Game Plan for Life shows readers how to live a balanced, God-centered, purpose-filled life, using examples of Coach Gibbs’s own storied championship careers as a backdrop. A perfect blend of sports and basic theology, Game Plan for Life ! is designed to bring God’s word home to sports fans of all g! eneratio ns.Three-time Super Bowl and NASCAR champion Joe Gibbs’s Game Plan for Life is an “average Joe’s” guide to what the Bible has to say about the 11 most-important topics for men. Topics such as: finances, relationships, living a life of purpose, finding the right vocation, physical, emotional, and spiritual health, and overcoming sin and addictions. Edited by Jerry Jenkins, and featuring contributions from Randy Alcorn, Ravi Zacharias, John Lennox, Tony Evans, Chuck Colson, Josh McDowell, Don Meredith, Walt Larimore, Ron Blue, Ken Boa, and Os Guinness, Game Plan for Life shows readers how to live a balanced, God-centered, purpose-filled life, using examples of Coach Gibbs’s own storied championship careers as a backdrop. A perfect blend of sports and basic theology, Game Plan for Life is designed to bring God’s word home to sports fans of all generations.Just add glue, scissors and an appreciation for the physics and art behind these medieval siege en! gines. High-quality models hurl a small ball more than 15 feet in 1 throw, with adjustable pads that change the trajectory angle and encourage experimentation for greater accuracy. Pre-cut, pre-drilled solid wood pieces are easy to assemble; models can be build in about 1 to 2 hours.

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Sushi Grass Baran Garnish Short 1000pcs #BA-1

• Sushi Baran for Sushi Decoration

This text encourages students to be active media consumers and gives them a deeper understanding of the role that the media play in both shaping and reflecting culture. Through this cultural perspective, students learn that audience members are as much a part of the mass communication process as are the media producers, technologies, and industries. This was the first, and remains the only, university-level text to make media literacy central to its approach, and given recent national and global turmoil, its emphasis on media use and democracy could not be more timely.

Building on this tested emphasis, the sixth edition features a complete updating of industry statistics throughout, numerous new examples from the ongoing Iraq war, the Presidential election, and the emergence of wildly popular Internet applications such as massive multiplayer online worl! ds like Second Life and social networking sites like Facebook and MySpace.While encouraging students to be active media consumers, this text gives them a deeper understanding of the role that the media play in both shaping and reflecting culture. Through this cultural perspective, students learn that audience members are as much a part of the mass communication process as are the media producers, technologies, and industries. This was the first, and remains the only, university-level text to make media literacy central to its approach. The updated sixth edition features updated industry statistics, discussion of the affects of recent events on media and media audiences, and coverage of current issues in the media industries.Made In Japan * Material: Plastic * Each Dimension: 3in W x 1-3/4in H * Ideal for Food Divider, Sushi Decoration

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The Assassination of Jesse James by the Coward Robert Ford

• Everyone in 1880s America knows Jesse James. Hes the nations most notorious criminal, hunted by the law in 10 states. Hes also the lands greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. Hell befriend Jesse, ride with his gang. And if that doesnt bring Ford fame, hell find a deadlier way.Friendship become

Jesse James was a fabled outlaw, a charismatic, spiritual, larger-than-life bad man whose bloody exploits captured the imagination and admiration of a nation hungry for antiheroes. Robert Ford was a young upstart torn between dedicated worship and murderous jealousy, the "dirty little coward" who coveted Jesse's legend. The powerful, strange, and unforgettable story of their interweaving pathsâ€"and twin destinies that would collide in a rain of blood and betrayalâ€"is a story of America in all ! her rough, conflicted glory and the myths that made her.

Jesse James was a fabled outlaw, a charismatic, spiritual, larger-than-life bad man whose bloody exploits captured the imagination and admiration of a nation hungry for antiheroes. Robert Ford was a young upstart torn between dedicated worship and murderous jealousy, the "dirty little coward" who coveted Jesse's legend. The powerful, strange, and unforgettable story of their interweaving pathsâ€"and twin destinies that would collide in a rain of blood and betrayalâ€"is a story of America in all her rough, conflicted glory and the myths that made her.

Hansen re-creates the real West with his imaginative telling of the life of the most famous outlaw of them all, Jesse James, and of his death at the hands of the upstart Robert Ford. James, a charismatic, superstitious, and moody man, holds sway over a ragged gang who fear his temper and quick shooting. Robert Ford, a young gang member torn between worshipping! Jesse and taking his place, guns him down in cold blood and l! ives out his days tormented by the killing.Everyone in 1880s America knows Jesse James. He’s the nation’s most notorious criminal, hunted by the law in 10 states. He’s also the land’s greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. He’ll befriend Jesse, ride with his gang. And if that doesn’t bring Ford fame, he’ll find a deadlier way. Friendship becomes rivalry and the quest for fame becomes obsession in this virile epic produced in part by Ridley Scott and featuring gripping portrayals by Brad Pitt (winner of the Venice Film Festival Best Actor Award) as Jesse and Casey Affleck as the youth drawn closer to his goal…and farther from his own humanity.Of all the movies made about or glancingly involving the 19th-century outlaw Jesse Woodson James, The Assassination of Jesse James by the Coward Robert Ford is the most reflective, most ambitious, most intricately fasci! nating, and indisputably most beautiful. Based on the novel of the same name by Ron Hansen, it picks up James late in his career, a few hours before his final train robbery, then covers the slow catastrophe of the gang's breakup over the next seven months even as the boss himself settles into an approximation of genteel retirement. But in another sense all of the movie is later than that. The very title assumes the audience's familiarity with James as a figure out of history and legend, and our awareness that he was--will be--murdered in his parlor one quiet afternoon by a backshooting crony.

The film--only the second to be made by New Zealandâ€"born writer-director Andrew Dominik--reminds us that Dominik's debut film, Chopper (2000), was the cunningly off-kilter portrait of another real-life criminal psychopath who became a kind of rock star to his society. The Jesse James of this telling is no Robin Hood robbing the rich to give to the poor, and that train robb! ery we witness is punctuated by acts of gratuitous brutality, ! not gall antry. Nineteen-year-old Bob Ford (Casey Affleck) seeks to join the James gang out of hero worship stoked by the dime novels he secretes under his bed, but his glam hero (Brad Pitt) is a monster who takes private glee in infecting his accomplices with his own paranoia, then murdering them for it. In the careful orchestration of James's final moments, there's even a hint that he takes satisfaction in his own demise.

Affleck and Pitt (who co-produced with Ridley Scott, among others) are mesmerizing in the title roles, but the movie is enriched by an exceptional supporting cast: Sam Shepard as Jesse's older, more stable brother Frank; Sam Rockwell as Bob Ford's own brother Charlie, whose post-assassination descent into madness is astonishing to behold; Paul Schneider, Garret Dillahunt, and Jeremy Renner as three variously doomed gang members; and Mary-Louise Parker, who as Jesse's wife Zee has few lines yet manages with looks and body language to invoke a wellnigh-novelisti! c backstory for herself. There are also electrifying cameos by James Carville, doing solid actorly work as the governor of Missouri; Ted Levine, as a lawman of antic spirit; and Nick Cave, composer of the film's score (with Warren Ellis) and screenwriter of the Aussie "Western" The Proposition, suddenly towering over a late scene to perform the folk song that set the terms for the book and movie's title.

Still, the real costar is Roger Deakins, probably the finest cinematographer at work today. The landscapes of the movie (mostly in Alberta and Manitoba) will linger in the memory as long as the distinctive faces, and we seem to feel the sting of its snows on our cheeks. Interior scenes are equally persuasive. Few Westerns have conveyed so tangibly the bleakness and austerity of the spaces people of the frontier called home, and sought in vain to warm with human spirit. --Richard T. Jameson

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