Tuesday, November 8, 2011

Clerks II (Two-Disc Widescreen Edition)

  • 10 years later, Dante and Randal are working at a fast-food restaurant and Dante considers leaving the clerk life behind for greener pastures. Format: DVD MOVIE Genre: COMEDY Rating: R Age: 796019795982 UPC: 796019795982 Manufacturer No: 79598
10 years later, Dante and Randal are working at a fast-food restaurant and Dante considers leaving the clerk life behind for greener pastures.Lo and behold, Clerks II defies the odds as a sequel that even the most ardent Clerks fans can be happy about. Twelve years after Kevin Smith turned the independent film world upside-down with his $27,000 black-and-white comedy, perpetual slackers Dante (Brian O'Halloran) and Randal (Jeff Anderson) return for another raucous romp in suburbia, but this time there's no beloved Quick Stop mini-mart to ensure their low-level employment. Now they're aimless 33-year-olds flippin' burgers at Mooby's, a! fast-food joint with a cow theme that's "udderly delicious." Dante's engaged to his long-time girlfriend but has unexpectedly fallen in love with Mooby's manager Becky (and since she's played by Rosario Dawson, can you blame him?), and Randal's still holding out for life, liberty, and the pursuit of low ambition. The responsibilities of adulthood are rearing their ugly head, and with Jay and Silent Bob (Jason Mewes and Kevin Smith) still dealing weed and generally being obnoxious, well... something's gotta give, right? The way Smith has written this long-awaited follow-up, the dilemmas of Dante, Randal, and their ongoing friendship are something that anyone can relate to, and with Dawson lighting up the screen (in a role demanded by producer Harvey Weinstein to boost box-office appeal), the movie's romantic chemistry is surprisingly delightful. Rest assured, also, that Smith (shooting mostly in color this time, on a $5 million budget) hasn't forgotten where he came from: Clerks II is jam-packed with the same lewd, crude humor ! that mad e Clerks an indie-film phenomenon, and Smith's good-natured sincerity is still on full display, ensuring that only the most prudish viewers could possibly be offended. For everyone else, this is as enjoyable as any sequel could ever hope to be, with amusing cameos by Smith-movie veterans Ben Affleck and Jason Lee, among others. --Jeff Shannon

Barry Munday

  • BARRY MUNDAY (DVD MOVIE)
Barry Munday, a suburban wanna-be ladies man, wakes up in the hospital after being attacked in a movie theater, only to realize that he is missing one of his most prized possessions... his testicles. To make matters worse, Barry learns he's facing a paternity lawsuit filed by a woman he can't remember having sex with. With this being Barry's last chance to ever be a father, Barry reaches out and embraces the journey of parenthood and the onslaught of bumps that face him along the way. Filled with an ensemble of unusual characters, Barry Munday is the surprisingly heart-warming tale of a guy who finds it took losing his manhood to be a better man.

Face Off

  • * Widescreen Version. Special Features include:
  • * Commentaries by Director John Woo and Writers Mike Werb and Michael Colleary
  • * 7 Deleted Scenes - Including an Alternate Ending (with Optional Commentary)
  • * English DTS 6.1 * English Dolby Digital 5.1 Surround EX * French 2.0 Surround
  • * Languages - English, French. * Subtitles - English, French, Spanish.
Studio: Paramount Home Video Release Date: 08/17/2010 Run time: 140 minutes Rating: RAt his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by! the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama a! nd mayhem ups the ante from cops-and-robbers clichés to a con! flict of near-mythic levels. --Sean AxmakerAt his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man! who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean AxmakerStudio: Paramount Home Video Release Date: 12/09/2008At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fict! ion plastic surgery--and creates a double-barreled revenge fil! m driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama! and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker

Battlefield 3 Limited Edition Playstation 3

  • Rare Limited Edition with Back to Karkland Expansion Pack, featuring 4 classic maps, 3 new vehicles, and new weapons. Winner of best action game and best online multiplayer - E3 Game Critics 2011
  • Battlefield 3 introduces Frostbite 2, the incredible technology that takes animation, destruction, lighting, scale and audio to new heights. Built upon this powerful game engine, Battlefield 3 immerses players physically and emotionally to the world.
  • Feel the impact of bullets and explosions and mount your weapon on almost any part of the terrain. Battlefield 3's cutting edge animation, spectacular visuals and real as hell battle gameplay attack your senses.
  • Unparalleled Vehicle Warfare. The best online vehicle warfare experience gets even better with a fitting sonic boom as fighter jets headline impressive lineup of land, air and sea vehicles
  • Urban Combat. Take the fight to ic! onic and unexpected places in the USA, Middle East, and Europe including claustrophobic streets, metropolitan downtowns, and open, vehicle-friendly landscapes as you fight your way through the war of tomorrow.
What happens when an adventurous little boy just tries to be helpful? More trouble than his mother ever imagined! Every once in a while a special book comes along that is adored by children and absolutely treasured by adults. I'll Do Better Tomorrow, I Promise, by author Maurine Reynolds Adamek, cleverly captures the amusing and confusing experiences of every child--and the often frustrating experiences of every parent. It will have you laughing out loud and wiping a tear from your eye as you see yourself in the pages of this delightful little book. If you liked Love You Forever you're gonna love I'll Do Better Tomorrow, I Promise. I'll Do Better Tomorrow, I Promise is a charming, funny, touching story for children, parents, grandparents, and teachers! alike. The timeless values of family, love, patience and forg! iveness make this a book you'll want to read again and again.A new take on the Hong Kong action classic that launched Chow Yun Fat to international stardom, director Song Hae-seong's remake of A Better Tomorrow features an all-star class including Seung-heon Song, Kang-woo Kim, and Jin-mo Ju. In the treacherous world of the black-market weapons trade, honor and vengeance go hand in hand. Adapted from writer/director John Woo's original screenplay.As a founder and managing director of Global Business Network, James Ogilvy helped develop the technique of scenario planning, which has become an integral part of strategic thinking in both business and government. Now Ogilvy shows how we can use this cutting-edge method for social change in our own neighborhoods.
In Creating Better Futures, Ogilvy presents a profound new vision of how the world is changing--and how it can be changed for the better. Ogilvy argues that self-defined communities, rather than individuals or gov! ernments, have become the primary agents for social change. Towns, professional associations, and interest groups of all kinds help shape the future in all the ways that matter most, from schools and hospitals to urban development. The key to improvement is scenario planning--a process that draws on groups of people, both lay and expert, to draft narratives that spell out possible futures, some to avoid, some inspiring hope. Scenario planning has revolutionized both public and private planning, leading to everything from the diverse product lines that have revived the auto industry, to a timely decision by the state of Colorado to avoid pouring millions into an oil-shale industry that never materialized. But never before has anyone proposed that it be taken up by society as a whole.
Drawing on years of experience in both academia and the private sector, where he developed both a keen sense of how businesses work best and an abiding passion for changing the world, Jame! s Ogilvy provides the tools we need to create better communiti! es: bett er health, better education, better lives.As a founder and managing director of Global Business Network, James Ogilvy helped develop the technique of scenario planning, which has become an integral part of strategic thinking in both business and government. Now Ogilvy shows how we can use this cutting-edge method for social change in our own neighborhoods.
In Creating Better Futures, Ogilvy presents a profound new vision of how the world is changing--and how it can be changed for the better. Ogilvy argues that self-defined communities, rather than individuals or governments, have become the primary agents for social change. Towns, professional associations, and interest groups of all kinds help shape the future in all the ways that matter most, from schools and hospitals to urban development. The key to improvement is scenario planning--a process that draws on groups of people, both lay and expert, to draft narratives that spell out possible futures, some to av! oid, some inspiring hope. Scenario planning has revolutionized both public and private planning, leading to everything from the diverse product lines that have revived the auto industry, to a timely decision by the state of Colorado to avoid pouring millions into an oil-shale industry that never materialized. But never before has anyone proposed that it be taken up by society as a whole.
Drawing on years of experience in both academia and the private sector, where he developed both a keen sense of how businesses work best and an abiding passion for changing the world, James Ogilvy provides the tools we need to create better communities: better health, better education, better lives.Battlefield 3 is a First-Person Shooter (FPS) that is designed to attack your senses, delivering a visceral combat experience like no other FPS before it. Sequel to 2005's Battlefield 2, Battlefield 3 utilizes the updated Frostbite 2 game engine, which allows for advanced destruction, sound, ! and graphics as well as a focus on dense in-game urban setting! s. Addit ional game features include: classic Battlefield mission-based gameplay, an impressive array of vehicles including jets and tanks, large-scale maps, an updated soldier class, 2-24 player support online and more. Heart-pounding mission-based combat and maximized damage. View larger. Unparalleled vehicular warfare . View larger. Return to the Battlefield In Battlefield 3 players take command of a team of elite US Marines as they experience heart-pounding misson-based gameplay ranging across diverse locations from around the globe including Paris, Tehran and New York. Along with ground combat, vehicular combat plays a major role with vehicles available including tanks as well as air support, featuring infrared and satellite imaging. The game contains both single player missions and competitive and co-op multiplayer actions supporting up to 24 players online, and set in diverse locations from around the globe including Paris, Tehran and New York. The State-of-the-art Frostbite 2 Engine Battlefield 3 leaps ahead of the competition with the power of Frostbite 2, the next installment of game developer Dice's cutting-edge game engine. This state-of-the-art technology is the foundation on which Battlefield 3 is built, delivering superior visual quality, a grand sense of scale, massive destruction, dynamic audio and incredibly lifelike character animations. As bullets whiz by, walls crumble, and explosions throw you to the ground - the battlefield feels more alive and interactive than ever before.

POV: Lost Boys of Sudan

  • Winner of an Independent Spirit Award and named Best Documentary at the San Francisco International Film Festival, Lost Boys of Sudan follows two teenage Sudanese refugees on an extraordinary journey from Africa to America, offering a gripping and sobering peek into the myth of the American Dream. In the late 80s, Islamic fundamentalists in Sudan waged war on the country s separatists, leaving beh

An award-winning, critically acclaimed film, narrated by Nicole Kidman, God Grew Tired of Us explores the indomitable spirit of three "Lost Boys" from the Sudan who are forced to leave their homeland due to a tumultuous civil war. The film chronicles their triumph over seemingly insurmountable adversities and a relocation to America, where the Lost Boys build active and fulfilling new lives but remain deeply committed to helping friends and family they have left behind.

Orphaned b! y a tumultuous civil war and traveling barefoot across the sub-Saharan desert, John Bul Dau, Daniel Abol Pach and Panther Blor were among the 25,000 "Lost Boys" (ages 3 to 13) who fled villages, formed surrogate families and sought refuge from famine, disease, wild animals and attacks from rebel soldiers. Named by a journalist after Peter Pan’s posse of orphans who protected and provided for each other, the "Lost Boys" traveled together for five years and against all odds crossed into the UN’s refugee camp in Kakuma, Kenya. A journey’s end for some, it was only the beginning for John, Daniel and Panther, who along with 3800 other young survivors, were selected to re-settle in the United States.

"Lost Boy" John Bul Dau’s harrowing experience surviving the brutal horrors of Sudanese civil war and his adjustment to life in modern America is chronicled in this inspiring memoir and featured in an award-winning documentary film of the same name. Movingly written, the b! ook traces Dau’s journey through hunger, exhaustion, terror,! and vio lence as he fled his homeland, dodging ambushes, massacres and attacks by wild animals. His tortuous, 14-year journey began in 1987, when he was just 13, and took him on a 1,000-mile walk, barefoot, to Ethiopia, back to Sudan, then to a refugee camp in Kenya, where he lived with thousands of other Lost Boys. In 2001, at the age of 27, he immigrated to the United States. With touching humor, Dau recounts the shock of his tribal culture colliding with life in America. He shares the joy of reuniting with his family and the challenges of making a new life for himself while never forgetting the other Lost Boys he left behind.No Description Available.
Genre: Documentary
Rating: PG
Release Date: 4-MAR-2008
Media Type: DVDGod Grew Tired of Us is as much about America as it is about Africa. The moving documentary begins in war-torn Sudan with the mid-1980s exodus of 27,000 Christian boys, most between five and ten. After their arrival in! Kenya, the UN steps in with aid. Directors Christopher Quinn and Tommy Walker pick up the story a decade later, narrowing their focus to Panther, John, and Daniel, three of 3,800 given the opportunity to resettle in the US. Quinn and Walker are with them when they land in the States, where everything is new and exciting--electricity, running water, pre-packaged foodstuffs--all the things Americans take for granted. Through the assistance of various relief organizations, their expenses are covered for the next few months. After that, the trio is expected to provide for themselves (they're older than the subjects in 2003's The Lost Boys of Sudan). Divided between Pittsburgh, PA and Syracuse, NY, the young men are thrilled with their suburban lives. Over the next year, however, joy turns to sorrow. They miss their families and have trouble making connections beyond their social group. The directors document another two years, by which point things are finally starting ! to look up. Produced by Brad Pitt, God Grew Tired of Us! won the Documentary Grand Jury Prize and Audience Award at Sundance. Nicole Kidman provides a little narration, but for the most part, the Lost Boys speak for themselves, which is exactly as it should be. --Kathleen C. FennessyDVD-As We Forgive by Mpower PicturesThis digital document is an article from Childhood Education, published by Association for Childhood Education International on January 1, 2009. The length of the article is 1351 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Video reviews.(God Grew Tired of Us)(Dead Poets Society)(Marley and Me)(Video recording review)
Author: Carole S. Campbell
Publication: Childhood Education (Magazine/Journal)
Date: January 1, 2009
Publish! er: Association for Childhood Education International
Volume: 85 Issue: 5 Page: 335(2)

Article Type: Video recording review

Distributed by Gale, a part of Cengage Learning(Drama) In April 1994, one of the most heinous genocides in world history began in the African nation of Rwanda. Over the course of 100 days, an estimated 800,000 people were killed in a terrifying purge by Hutu nationalists against their Tutsi countrymen. This harrowing HBO Films drama focuses on the almost indescribable human atrocities that took place a decade ago through the story of two Hutu brothers--one in the military, one a radio personality--whose relationship and private lives were forever changed in the midst of the genocide. Written and directed by Raoul Peck, (HBO Films' Lumumba) the movie is the first large-scale film about the 100 days of the 1994 Rwandan genocide to be shot in Rwanda, in the locations where the ! real-life events transpired.

DVD Features:
Audi! o Commen tary
Featurette
Photo gallery

A clear-eyed look at the Rwandan genocide is offered in Sometimes in April, a frank take on the 1994 slaughter that claimed upwards of 800,000 lives. Some overlap with Hotel Rwanda is inevitable, and this HBO feature does have similarities, but without the strong suspenseful storyline of Hotel. Its protagonist (the strong Idris Elba, from The Wire) pieces together the past tragedy from the perspective of a decade-later war-crimes tribunal, where his brother is on trial. It's hard to know which is less bearable--the depiction of atrocities, such as mass murder at a girls school, or the second-guessing of the international community, which largely stood by while the horror was unfolding. (Like Hotel Rwanda, this film zeroes in on the U.S. government's distinction that "acts of genocide" occurred in Rwanda rather than "genocide," a Joseph Heller-like absurdity.) The plain style of di! rector Raoul Peck, shooting on location in Rwanda, works for the subject; his film Lumumba was also a direct, blunt account of a tragedy in Africa. The approach doesn't work as well in the U.S. scenes, which feature Debra Winger as a concerned official; these just look clumsy. But the subject itself remains worthy of close attention. --Robert HortonWinner of an Independent Spirit Award and named Best Documentary at the San Francisco International Film Festival, LOST BOYS OF SUDAN follows two teenage Sudanese refugees on an extraordinary journey from Africa to America, offering a gripping and sobering peek into the myth of the American Dream. In the late ‘80s, Islamic fundamentalists in Sudan waged war on the country’s separatists, leaving behind over 20,000 male orphans, otherwise known as "lost boys." For those who survived this traumatic ordeal and found their way to refugee camps, som were chosen to participate in a resettlement program in America--a di! stant place so presumably full of hope and opportunity that th! e Sudane se sometimes call it Heaven. But what if a free ticket to "Heaven" turned out to be anything but? Sidestepping conventional voice-over narration in favor of real-time, close-quarters poignancy, LOST BOYS OF SUDAN focuses on Santino and Peter, members of the Dinka tribe, during their first life-altering year in the United States. Safe at last from physical danger--but a world away from home--the boys must grapple with extreme cultural differences as they come to understand both the abundance and alienation of contemporary American life.Lost Boys of Sudan, which premiered on PBS's P.O.V. series in 2003, is a gripping documentary about young refugees from the Sudanese conflict as well as a moving story of survival and acclimation in a strange and daunting land. The film centers around two young Dinka tribesmen who must flee a vicious civil war in their homeland and risk thirst, starvation, and animal attack to reach refugee camps thousands of miles away in Kenya i! n Ethiopia. Once there, the "lost boys'" journey begins again, as they are resettled in Houston, Texas, and must start new lives in a completely alien country. Eventually, their adjustment to 21st century life becomes the film's main focus; can they join American society and still retain their tribal connections? Told in simple but powerful images, Lost Boys of Sudan affectingly addresses themes of home, acceptance, family, and what it means to be a member of societyâ€"-both America and the global community. --Paul Gaita

Bonnie and Clyde (Two-Disc Special Edition)

  • Condition: New
  • Format: DVD
  • Closed-captioned; Color; DVD; Full Screen; Original recording remastered; Restored; Special Edition;
Depression-era drifters Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) embark on a life of crime. They crave adventure â€" and each other. Nothing in film history has prepared us for the cascading violence to follow. We learn they can be hurt â€" and dread they can be killed. The vivid title-role performances get superb support from Michael J. Pollard, Gene Hackman and Estelle Parsons, 1967 Best Supporting Actress Academy AwardÃ' winner. Director Arthur Penn keeps the film’s tone tough but never cruel. It continually dazzles, especially in the work of cinematographer Burnett Guffey (winner of the film’s second OscarÃ') and editor Dede Allen. Generations later, it’s still a thunderous, thrilling ride. DISC 1: MOVIE Digitally Remast! ered for High-Impact Home Viewing Brilliance from Restored Original Film and Audio Elements • Theatrical Trailers Subtitles: English, Français & Korean (Main Feature. Bonus Material/Trailer May Not Be Subtitled.). DISC 2: SPECIAL FEATURES Additional Scenes • New 40th-Anniversary Commemorative Documentary in 3 Parts: Revolution! The Making of Bonnie and Clyde • The History ChannelÃ' Documentary Love and Death: The Story of Bonnie and Clyde • Warren Beatty Wardrobe Tests.One of the landmark films of the 1960s, Bonnie and Clyde changed the course of American cinema. Setting a milestone for screen violence that paved the way for Sam Peckinpah's The Wild Bunch, this exercise in mythologized biography should not be labeled as a bloodbath; as critic Pauline Kael wrote in her rave review, "it's the absence of sadism that throws the audience off balance." The film is more of a poetic ode to the Great Depression, starring the dream team of Warren Beatty and Fay! e Dunaway as the titular antiheroes, who barrel across the Sou! th and M idwest robbing banks with Clyde's brother Buck (Gene Hackman), Buck's frantic wife Blanche (Estelle Parsons), and their faithful accomplice C.W. Moss (the inimitable Michael J. Pollard). Bonnie and Clyde is an unforgettable classic that has lost none of its power since the 1967 release. --Jeff ShannonOne of the landmark films of the 1960s, Bonnie and Clyde changed the course of American cinema. Setting a milestone for screen violence that paved the way for Sam Peckinpah's The Wild Bunch, this exercise in mythologized biography should not be labeled as a bloodbath; as critic Pauline Kael wrote in her rave review, "it's the absence of sadism that throws the audience off balance." The film is more of a poetic ode to the Great Depression, starring the dream team of Warren Beatty and Faye Dunaway as the titular antiheroes, who barrel across the South and Midwest robbing banks with Clyde's brother Buck (Gene Hackman), Buck's frantic wife Blanche (Estell! e Parsons), and their faithful accomplice C.W. Moss (the inimitable Michael J. Pollard). Bonnie and Clyde is an unforgettable classic that has lost none of its power since the 1967 release. --Jeff Shannon

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