Webkinz Plush Stuffed Animal Grey Owl

• Full Sized Webkinz
• Comes with a secret code that lets you enter Webkinz World

First published in 1935, Pilgrims of the Wild is Grey Owl's autobiographical account of his transition from successful trapper to preservationist. With his Iroquois wife, Anahereo, Grey Owl set out to protect the environment and the endangered beaver. Powerful in its simplicity, Pilgrims of the Wild tells the story of Grey Owl's life of happy cohabitation with the wild creatures of nature and the healing powers of what he referred to as "the great Northland" of "Over the Hills and Far Away."

A bestseller at the time, Pilgrims of the Wild helped establish Grey Owl's international reputation as a conservationist. His legacy of warnings against the degradations of nature and the dangers of industry live on, despite the posthumous revelation that he wasn't, in fact, the First! Nations man he claimed to be.

Richard Attenborough's passion weighs so heavily on every frame of Grey Owl, the true story of a pioneering conservationist in the Canadian wilderness, that it tends to smother the characters. Pierce Brosnan is stiff, deliberate and terse as Archie Grey Owl, a part Scotch Native American adopted and raised by a Canadian Ojibwa tribe. He gets by as a trapper, hunting guide, and sometime writer, but becomes an internationally revered activist in the 1930s when he publishes a book on the vanishing wilderness. Annie Galipeau is the native Canadian woman who sees through his tough hide and secretive quiet: "Yeah, I know. You're a loner. You have to live in the wilderness. I hear it everyday." But she doesn't pierce his most zealously guarded secret, a distracting subplot that most of the audience figures out in no time. Attenborough's hushed reverence for Archie's dream slows an already lugubrious drama, and Brosnan all too often co! mes off as a walking cliché, his flat speech and long, slow s! tares a Brit's idea of a movie Indian. The real star of the film is the magnificent Canadian wilderness: carpets of forests, clear crystal lakes, and vast blue skies. There's no doubting Attenborough's good intentions, and his love for the wilderness is felt in every gorgeous frame, but somewhere in the forest he loses track of his story. --Sean Axmaker

Hap Wilson is back for another journey, this time on the lighter side of the adventure trail, where the bizarre melds with the sublime. Nurtured by the writings of Canadian environmentalist and wannabe-Native, Grey Owl, Wilson adopted a lifestyle similar to the 1930s conservationist but with his own twists and turns along a meandering path full of humorous misadventures. Wilson, too, learned many of his nature skills as a youth, paddling in Temagami, working as a wilderness canoe ranger and guide, and following in the footsteps of one of Canada's most revered outdoor icons.

The author recounts early days winter c! amping, motorcycling the Labrador coast, and teaching actor Pierce Brosnan how to throw knives and paddle a canoe for the Richard Attenborough film about Grey Owl. He also takes us to a few of his favourite places and shares intimate secrets of wilderness living. Here, Grey Owl has returned as an ever-present critic -- a buckskin-clad spectre in a modern world of Gore-Tex, Kevlar canoes, and gear freaks.

Archibald Belaney perpetrated one of the 20th Century's most convincing hoaxes. Known to the world as "Grey Owl," he convinced everyone that he was a Canadian-born first nations author. In this persona, he became one of Canada's most popular and famous personalities. Grey Owl's British origins came to light shortly after his death and the ensuing public outcry ignored his significant contributions as a conservationist. A generation after his death though, Grey Owl is remembered as an effective public champion of our natural heritage, and his writings still carry an! important environmental message for today's world. Without Gr! ey Owl's efforts and passion towards the wilderness, Canada may have lost a better part of its natural beauty. He helped create a legacy of awareness and protection for Canada's forests and wildlife.

In 1931 Grey Owl published his first book, The Men of the Last Frontier, a work that is part memoir, part history of the vanishing wilderness in Canada, and part compendium of animal and First Nations tales and lore. A passionate, compelling appeal for the protection and preservation of the natural environment pervades Grey Owl’s words and makes his literary debut still ring with great relevance in the 21st century.

By the 1920s, Canada’s outposts of adventure had been thrust farther and farther north to the remote margins of the country. Lumbermen, miners, and trappers invaded the primeval forests, seizing on nature’s wealth with soulless efficiency. Grey Owl himself fled before the assault as he witnessed his valleys polluted with sawmills, his hills dug up f! or hidden treasure, and wildlife, particularly his beloved beavers, exterminated for quick fortunes.

Grey Owl Webkinz by Ganz HM344

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I Love BRIGHAM CITY, UTAH City Limit Sign - 4 x 18 inches

• Aluminum Brand New Sign
• 4 x 18 inches
• Rounded Corners
• Predrillied for Hanging
• Great Gift Idea

Richard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffect! ed forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutch! er’s Brigham City is a rare find in the recent onsla! ught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate ! spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sherif! f and local church bishop of a rural Utah town terrorized by a! serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerI Love BRIGHAM CITY, UTAH City Limit Sign. Made of Aluminum and High Quality Vinyl Letters and Graphics. This sign is 4 x 18 inches. Made to last for years outdoors, the sign is nice enough to display indoors too, comes with two holes pre-punched for easy installation and the corners are rounded. The item shipped will be exactly as shown in the picture (Unless you notify us otherwise i.e. a custom made order)

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Everybody Wants to be Italian PREMIUM GRADE Rolled CANVAS Art Print Unknown 11x17

• Title: Everybody Wants to be Italian
• Artist: Unknown
• Canvas
• Image Size: 10.17in. x 15.22in.
• Paper Size: 11.00in. x 17.00in.

EVERYBODY WANTS TO BE ITALIAN - DVD MovieTitle: Everybody Wants to be Italian. Artist: Unknown. Image Size: 10.17in. x 15.22in. Paper Size: 11.00in. x 17.00in. PREMIUM GRADE Rolled CANVAS Art Print

This is an unstretched canvas print which will be rolled and securely shipped in a sturdy tube. All canvas prints should be cared for to avoid exposure to dust, grime or finger grease in handling.

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Face Off

• * Widescreen Version. Special Features include:
• * Commentaries by Director John Woo and Writers Mike Werb and Michael Colleary
• * 7 Deleted Scenes - Including an Alternate Ending (with Optional Commentary)
• * English DTS 6.1 * English Dolby Digital 5.1 Surround EX * French 2.0 Surround
• * Languages - English, French. * Subtitles - English, French, Spanish.

At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travol! ta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic level! s. --Sean AxmakerStudio: Paramount Home Video Release ! Date: 08 /17/2010 Run time: 140 minutes Rating: RAt his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man! who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean AxmakerStudio: Paramount Home Video Release Date: 12/09/2008At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fict! ion plastic surgery--and creates a double-barreled revenge fil! m driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama! and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker

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Desolation Angels #3 (The Big Empty)

• ISBN13: 9781595140081
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The Great Plains, known for grasslands that stretch to the horizon, is a difficult region to define. Some classify it as the region beginning in the east at the ninety-eighth or one-hundredth meridian. Others identify the eastern boundary with annual precipitation lines, soil composi-tion, or length of the grass. In The Big Empty, leading historian R. Douglas Hurt defines this region using the towns and citiesâ€"Denver, Lin-coln, and Fort Worthâ€"that made a difference in the history of the environment, politics, and agriculture of the Great Plains.

Using the voices of women homesteaders, agrarian socialists, Jewish farmers, Mexican meatpackers, New Dealers, and Native Americans, this book! creates a sweeping survey of contested race relations, radical politics, and agricultural prosperity and decline during the twentieth century. This narrative shows that even though Great Plains history is fraught with personal and group tensions, violence, and distress, the twentieth century also brought about compelling social, economic, and political change.

The only book of its kind, this account will be of interest to historians studying the region and to anyone inspired by the story of the men and women who found an opportunity for a better life in the Great Plains.

One year ago, a devastating plague called Strain 7 killed three quarters of the human race. Around the world, power systems failed and supply chains screeched to a halt. The surviving population of the United States has been relocated to the coasts; the heartland is now a wasteland called The Big Empty. But seven teens trying to put their lives back together will learn that the abandoned zone ! holds danger, secrets, and above all, hope.In the third instal! lment of The Big Empty, the teens are on the run after making the shocking discovery that the leader of Novo Mundum, the secret community hidden in the middle of the evacuated Big Empty, is developing a new, even more dangerous virus.
The group faces a challenging trek through the forbidden zone as they search for someone they can trust. In a journey that will test their survival skills like nothing they've experienced so far, the teens' relationships are pushed to the breaking point, with one couple ripped apart for good. An unexpected reunion with someone from their past will prove to be a turning point-but will this familiar face bring salvation or ruin?

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Brothers of the Head

• Temple University alumni Keith Fulton and Louis Pepe (Lost in La Mancha) deliver their first fiction film, a mock-rock documentary about conjoined-twin rock stars in 1960s and 70s London. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 796019796620 UPC: 796019796620 Manufacturer No: 79662

With Brothers of the Head, Keith Fulton and Louis Pepe (the acclaimed directors of Lost in La Mancha) present their much anticipated debut feature. Written by Tony Grisoni (Fear and Loathing in Las Vegas), Brothers of the Head is the feverish, mind-bending odyssey of conjoined twins Tom and Barry Howe who were plucked from obscurity by a 1970s music promoted and groomed into a boy band. Grappling with impossible love, artistic rivalry, and a dark inner life, the twins embrace their freakishness and spit it back in the form of searing Punk Rock, calling their band The Bang Bang. Brothers of the Head is a ! raucous ride through the seamy underground fo 70's rock, and an unsettling glimpse into a relationship that is as beautiful as it is destructive.A feverish, mind-bending pseudo documentary of conjoined twins Tom and Barry Howe who were plucked from obscurity to be groomed into a boy band. -Official Selection 2006 Los Angeles Film Festival, 2006 Tribeca Film Festival, 2006 South by Southwest Film Festival, 2005 Toronto Film Festival From acclaimed directors of Lost in La Mancha, Keith Fulton and Louis Pepe

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Gardens of the Night

• GARDENS OF THE NIGHT (DVD MOVIE)

In the most powerful role of his career, Tom Arnold plays Alex, who, with his partner Frank (Kevin Zegers)
lures eight-year-old Leslie (Ryan Simpkins) into a car, changing her life forever. For seven years, she and
another child, Donnie, live in horror, with no one to turn to but each other. Eventually abandoned by their
captors, Leslie (now played by Gillian Jacobs) and Donnie (Evan Ross), struggle with a hand-to-mouth
existence on the streets of San Diego. Haunted by their pasts, it seems reality for Leslie and Donnie is
being bought by strangers and never going home. Also featuring unforgettable performances by
John Malkovich and Jeremy Sisto.

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Beyond a Reasonable Doubt

• BEYOND A REASONABLE DOUBT (DVD MOVIE)

High profile lawyer, Martin Hunter (Michael Douglas) has an impeccable record putting criminals behind bars and is a shoo-in for governor in the upcoming election. But when ambitious rookie journalist, C.J. Nicholas (Jesse Metcalfe) begins investigating Hunter for tampering with evidence to secure his convictions, the district attorney’s perfect record is up for scrutiny. Commencing a risky game of cat and mouse with Hunter, C.J. frames himself as a murder suspect to catch the corrupt D.A. in the act.


Stills from Beyond a Reasonable Doubt (Click for larger image)

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An ambitious reporter takes an extraordinary risk to bring down a corrupt district attorney in Beyond a Reasonable Doubt, a modern-day remake of Fritz Lang's final feature. On occasion, Shreveport newsman C.J. (Jesse Metcalfe, Desperate Housewives) receives confidential tips from assistant D.A. Ella (Amber Tamblyn, Joan of Arcadia), but Ella hesitates to go out with him due to the conflict of interest. It doesn't help that he considers her boss, gubernatorial candidate Martin Hunter (Michael Douglas, whose performance recalls Wall Street's Gordon Gekko), "too smooth," adding, "I'm not sure he's honest," but she eventually yields to C.J.'s charms (hey, it worked for Gabrielle Solis). Little does she realize that he plans to expose Hunter as a fraud--by framing himself for an unsolved murder. C.J. figures if he teams up with cameraman Finley (Joel Moore), he can't lose, but he never stops to consider the consequenc! es if something happens to Finley or the video that proves his innocence. So, the trial proceeds, but once Hunter gets wind of the scheme, he goes after C.J. with all his might. Ella is the only one who can help him, but to do so means to put her career--maybe even her life--on the line. There's a nasty twist at the end of this entertaining, if shallow, courtroom drama, and director/cinematographer Peter Hyams, who previously worked with Douglas on The Star Chamber, sprinkles the suspense with some tension-relieving zingers from Orlando Jones as a cop who suspects something fishy is afoot. --Kathleen C. Fennessy

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